Every ensemble on one roster — marching band, concert band, and jazz band
A band program is not one ensemble. School Band Network keeps marching band, concert band, and jazz band on the same shared roster: a student's section assignment, their ensemble membership, and their eligibility all live on the one record the school already maintains, not a separate spreadsheet per ensemble. A student who plays in both concert band and jazz band appears correctly in each, tied to the same roster entry, so the director is not re-keying the same name twice. The roster and records substrate -- the shared student-record spine the rest of the platform reads from -- is built and production-ready. The ensemble roster substrate is built and production-ready today.
Ensemble roster substrate built
Performance and competition calendar — built on the shared scheduling core
Competitions, concerts, and the rehearsal blocks that lead up to them run on the shared schedule.software slot engine — the same canonical slot, booking, and availability primitive that already runs eight K-12 booking surfaces on the platform. A director puts a regional competition on the calendar, blocks the rehearsal windows before it, and the engine checks the date against the school's other events for conflicts. A rehearsal block is a slot with a room, a time window, and a participant set drawn from the ensemble roster -- not a separate scheduling tool the band program has to maintain on its own. The scheduling core is built and production-ready today.
Scheduling core built
Band-parent booster treasury and dues — SEPARATE ENTITY governance, exact-cent split engine
The booster club's treasury is a SEPARATE ENTITY from the school's own administrative accounts, kept distinct at the data layer — not a manual spreadsheet an outgoing treasurer hands to the next one. The dues roster tracks who has paid, who owes, and who is waived, per season, summed to the exact cent; a financial-hardship waiver reason is held for the treasurer's own audit only and never appears in a public or family-facing view. The booster role itself is FERPA-walled: a treasurer's view is sums-only aggregates -- counts and cent totals per season -- never an individual student's row or a roster of names, enforced at the data layer, not a UI filter that a route could forget. The exact-cent fundraiser split engine applies the fee off gross first, then a largest-remainder reconciliation pass so the distribution totals to the cent. The treasury, the dues-roster engine, and the split engine are built and production-ready. The charge rail that actually moves money — dues checkout, fundraiser checkout, any live payment — is honest-off: present in the platform, not enabled for live transactions today.
Treasury & dues engine built · charge honest-off
Instrument and uniform records — assignment, condition, and checkout substrate
Every band director tracks which student has which instrument and which uniform. The platform has the substrate for that: an assignment record, a condition note, and a checkout-and-return lifecycle, all tied to the student's roster entry. That substrate is built and production-ready today. What is not yet claimed is a full dedicated inventory surface — the director-facing view that shows the whole uniform set by size and condition, flags an instrument out for repair, and generates an end-of-year return report. That surface is in progress on the built substrate. We name the distinction plainly: a director gets the assignment records and the checkout history on day one, and the dedicated reporting surface is the next step, not presented as finished before it is.
Assignment substrate built · dedicated inventory UI in progress
Director resources — free engraved editions, growing practice parts, and program designs
The freeschoolmusic engraved-editions approach is live: every score is engraved by us from a verified public-domain source, on our own infrastructure — not a copy of any copyrighted edition. The catalog grows as editions are completed and verified; the honest position on any given day is that the library has the titles that are finished, not a promise of full breadth. Practice parts — individual instrument parts extracted from the engraved score — are available for select titles today and grow as each edition is completed. Band-music merch and banner designs are in the platform's catalog for program banners and spirit apparel. The engraved-editions approach is live and the catalog grows incrementally.
Editions approach live · catalog grows